“BBQ Becky” and “Karen” memes reference real-world incidents in which Black individuals were harassed by White women in public spaces. In what I term the Karen meme genre, Black meme creators use humor, satire, and strategic positioning to perform a set of interrelated social commentaries on the behavior of White women. By conducting a visual Critical Technocultural Discourse Analysis (CTDA) of BBQ Becky memes, I argue that Becky and Karen memes are a cultural critique of White surveillance and White racial dominance. I find that memes in the Karen meme genre call attention to, and reject, White women’s surveillance and regulation of Black bodies in public spaces—making an important connection between racialized surveillance of the past and contemporary acts of “casual” racism. This meme genre also disrupts White supremacist logics and performative racial ignorance by framing Karens and Beckys as racist—not just disgruntled or entitled. Finally, in a subversion and reversal of power dynamics, Karen and BBQ Becky memes police White supremacy and explicitly call for consequences, providing Black communities with a form of agency. Hence, I conclude that Black memes matter in the struggle for racial equity.
Dr. Apryl Williams is a jointly appointed Assistant Professor in Communication & Media and the Digital Studies Institute at the University of Michigan. Williams is also a Faculty Associate at the Berkman Klein Center for Internet & Society at Harvard University, a Senior Fellow in Trustworthy AI at Mozilla, as well as an affiliated researcher at NYU's Center for Critical Race & Digital Studies. As a multidisciplinary scholar, Williams studies experiences of gender and race at the intersection of digital spaces and algorithmic technocultures. Williams' previous work has been published in leading interdisciplinary journals including Social Media + Society, Information, Communication & Society, the International Journal of Communication, and the Sociology of Race and Ethnicity. She also serves as Series Associate Editor of Emerald Studies in Media and Communications where she has co-edited five books on aspects of digital culture such as international media flows, digital inequalities, and digital publics. Her research has also been covered in popular press outlets including Time Magazine, Mic.com, Newsweek, Slate, NPR’s On the Media, and The Guardian.
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