In the Press
Thursday, May 28, 2020Sorry, President Trump, Twitter Makes Its Own Rules — A Commentary by Stephen Carter ’79
Wednesday, May 27, 2020Trump threatens Twitter over fact checks: What’s next? Associated Press
Wednesday, May 27, 2020Can Procedural Justice Training Reduce Officer Misconduct? The Crime Report
Wednesday, May 27, 2020Twitter becomes Trump’s latest enemy after it tags his claims as false The Los Angeles Times
Friday, November 15, 2013
Finding Ourselves at the Movies: Philosophy for a New Generation – A Book by Professor Paul W. Kahn ’80
In his book, Finding Ourselves at the Movies: Philosophy for a New Generation, Paul W. Kahn ’80, Robert W. Winner Professor of Law and the Humanities and Director, Orville H. Schell, Jr. Center for International Human Rights, assesses the need for a new direction in philosophical inquiry. “We are born with a great capacity for wonder, and philosophy should engage that wonder,” Kahn writes.
Though academic philosophy may have lost its audience, the traditional subjects of philosophy—love, death, justice, knowledge, and faith—remain as compelling as ever. Kahn argues that philosophy must take up these fundamental concerns as we find them in contemporary culture in order to reach a new generation. One such avenue for this return to philosophical thinking: a turn to popular film.
Discussing such well-known movies as Forrest Gump (1994), The American President (1995), The Matrix (1999), Memento (2000), The History of Violence (2005), Gran Torino (2008), The Dark Knight (2008), The Road (2009), and Avatar (2009), Kahn explores powerful archetypes and their hold on us. His inquiry proceeds in two parts. First, he uses film to explore the nature of action and interpretation, arguing that narrative is the critical concept for understanding both. Second, he explores the narratives of politics, family, and faith as they appear in popular films. Engaging with genres as diverse as romantic comedy, slasher film, and pornography, Kahn explores the social imaginary through which we create and maintain a meaningful world. He finds in popular films a new setting for a philosophical inquiry into the timeless themes of sacrifice, innocence, rebirth, law, and love.